Author Archives: Eric Picard

DSPs: What they really are and why you should care

(Originally published in iMediaConnection, May 2010) by Eric Picard

Recently on the Internet Oldtimers List, someone posted a link to a video mashup where someone had taken a clip from the movie “A Few Good Men” and replaced the famous “You can’t handle the truth!” dialogue between Nicholson and Cruise with a farcical semi-humorous debate about demand-side platforms (DSPs). What was interesting about this clip was that its central argument was that DSPs lower the CPM of premium publishers’ impressions (with Cruise arguing for the premium publisher and Nicholson arguing for the DSP).

The video is cute — pretty well done, and worth a view if you’re someone on the inside of this particular space online. But what really surprised me about it was that very few people seem to really understand what’s happening with DSPs in general — and there’s obviously misinformation going around. This particular debate about DSPs lowering the yield of publisher impressions was one I hadn’t heard articulated before.

So let’s get started digging into this by discussing what a demand-side platform really is. These advertiser/agency facing systems let buyers do self-service media buying from publishers; publisher aggregators (sometimes now being called sell-side platforms, or SSPs) like PubMatic, AdMeld, Rubicon, and others; and ad exchanges. The most important part of these mechanisms is that they enable real-time bidding against inventory on these sites. This is really important because in real-time bidding, the DSP can let the buyer specify business rules describing the value of impressions based on their audience attributes. That means the buyer can assign monetary value against specific audiences, and the DSP can bid on every impression in real time based on its actual value to the advertiser.

One reason real-time bidding is so valuable is that advertisers can bring multiple data sources to bear on the valuation problem. This would include the targeting attributes that the publisher lists about its own impressions, data attributes from third-party data providers like BlueKai and others, and most importantly, proprietary data that the advertiser owns about its own set of customers. Based on all these different targeting attributes, the buyer can assign various business rules that align the campaign goals against potential impressions, and the bids can be set against all the various providers of inventory.

The DSP then will begin bidding across the sell-side platforms, exchanges, and any publishers that directly support real-time bidding, and will automatically optimize the bids based on success and results. The result can be as simple as reaching 100,000 people that fit some specific criteria — or it could optimize across CPC or CPA. Real-time bidding is vastly superior to other mechanisms when it comes to ensuring that the advertiser gets the best ROI. But there are some issues.

I’ve heard from many of the DSPs that they are running out of real-time biddable inventory, meaning that their CPMs are rising because their supply is constrained. This might sound funny to those who fondly quote that there is unlimited supply of display inventory — but consider that there are short- and long-term factors driving this imbalance. In the short term, the sources for this type of inventory are still somewhat limited; even with the explosive growth we’re seeing in this category, there are not enough impressions available to satisfy demand. DSPs can still participate in non-real-time auctions in order to supplement impressions, but they lose the extra value they bring to the table when they can examine the impression before bidding.

Long term, there will be lots of impressions being made available. (In fact, I predict that most impressions will ultimately be made available in real-time.) But this real-time bidding world is all based on audience targeting — and the same users that Whole Foods wants to reach are also highly valuable to Best Buy and The Home Depot. This means that those impressions driven by highly desirable audiences will be a small percentage of the total number. But note: Although from a percentage perspective we’re talking small numbers, from a volume perspective that could still represent massive amounts of high bid-density inventory. Paid search impressions are a tiny fraction of display impressions today, yet drive half the revenue in online advertising. This could change significantly if we can drive enough bid density on a small fraction of display inventory that represents valuable audiences.

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I have heard some premium publisher folks state concerns that there could be issues with real-time bidding on display inventory due to asymmetric bidding and low bid density. Consider the following example that illustrates how low bid density (leading to asymmetric bids) could be a problem in the future as more impressions become available for real-time bidding. I’ll make it unrealistically simple to illustrate the issue:

An impression shows up for bid. It has the following attributes:

  1. Male
  2. 34 years old
  3. Greater than $150,000 income
  4. Chicago DMA
  5. New parent
  6. Auto shopper
  7. Jewelry shopper
  8. Health club member
  9. Impression is 300×250 pixels
  10. Site category is entertainment

Four advertisers participate in the auction:

Advertiser 1: Pampers — knows nothing extra

Advertiser 2: Ford — knows user owns a BMW and has been shopping for Land Rovers through proprietary data deals

Advertiser 3: Zales — has existing customer data that shows this is an inactive customer, a high spender in past who bought an engagement ring three years ago

Advertiser 4: An independent Chicago diaper service — knows nothing extra

The bidding follows like this:

Pampers bids $1 CPM.

Ford bids $5 CPM — it knows it has a low likelihood of converting this profile, so it doesn’t bid very high.

Zales bids $40 CPM — it knows that this customer bought his engagement ring at Zales three years ago, and given the new parent status, he is likely to be open to buying an expensive Mother’s Day present.

The Chicago diaper service bids $10 CPM based on simple CPA optimization.

Because this is a second price auction, Zales will win, but only pay $10 CPM for the impression. In this simple example, that might not seem too bad. But in reality, it should be possible for the publisher to predict that this impression, based on past bids on similar impressions, would sell for much higher than $5 CPM. So the publisher has not gotten the maximum yield it could have gotten based on the auction it had in play.

In the future, I predict that publishers will make use of yield optimization technology to fix this problem. The publisher should be setting a floor price on a per-impression basis based on its prediction of value to the advertisers in the marketplace. The publisher probably could have comfortably set a floor price that would have given it a higher yield (e.g., set the price at $12 or even $20 CPM based on historical trends for this type of impression and the current bidders in the auction). But this is a very hard technology problem to solve.

In paid search, we’ve seen high bid density drive very high CPMs on highly desirable keywords within the auction. And where the bid density is lower, we’ve frequently seen lower CPMs. Essentially, bid density refers to how many participants within an auction are bidding over the same item. In paid search, overall this hasn’t been a problem — mostly because there are “single digit” millions of commercially viable keywords, and about half a million advertisers competing over them. This leads to pretty good distribution, with some keywords getting lots of competition, and some getting very little — and overall the average yield being very high for the search engine. It’s a supply and demand problem for the most part.

But in online display advertising, there are trillions of display impressions a month with fewer than 10,000 advertisers (at least, in the world we live in today), with most dollars being spent in the U.S. coming from fewer than 3,000 advertisers. Further, the role of agencies could significantly change under this new set of mechanisms. There’s no reason that an agency using a DSP couldn’t withhold bids from its stable of advertisers so that only the top bid available for any advertiser for each impression would be placed. From a bid density perspective, this could be damaging without the kind of yield optimization I mentioned above and the creation of competition between multiple advertisers that normally wouldn’t have competed in the past. But there are still things that could drive lower bid density and lower publisher yield.

For instance: In an extreme world, each agency holding company could have its own DSP, and each of these would offer only one bid per impression as it reviewed the available targeting parameters and determined — based on each advertiser’s business rules — which of their campaigns would have the highest bid. In other words, each DSP could run an internal auction prior to placing a bid in the publisher-facing system. That would reduce the density of the auction on the publisher side significantly, causing the publisher to reduce yield. But it does require significant process change from how things are done today.

In the end, I think publishers would be foolish to worry too much here. It’s likely that their highest value impressions are going to go way up in yield, even if they see a drop on the rest of their impressions. And at the least, those two things should make up for each other. At the best, this could drive average yield higher in online display than we’ve ever seen before.

The secret media-buying revolution

(Originally published in iMediaConnection, November 2009) by Eric Picard

While you were going about your day-to-day business over the past year, the world changed, and you didn’t realize it. Everything you think you know is simply wrong. I’ve been predicting this change for years, I’ve spoken about it at conferences, and I’ve written articles predicting that this change was coming. But even I didn’t realize it had happened.

Last week, at the ad:tech New York conference, keynoter Sir Martin Sorrell, chief executive at WPP, talked about the massive oversupply of manufacturing capacity in every manufacturing category, in every market in the world. And he succinctly pointed out that another way to describe this oversupply of products was a shortage of customers. This hit me hard. Although the whole market has been talking for months about the vast (some even have said unlimited) over-supply of impressions, the reality is that there is a vast shortage of opportunities to expose advertising messages to actual potential customers. The glut of impressions is a glut of low value impressions — impressions that don’t get the message in front of the right person to achieve the campaign objectives. I thought about this for the rest of the day. It was like getting tapped in the nose with a series of quick jabs. Thwap, thwap, thwap.

Later at ad:tech, Quentin George, chief digital officer of Interpublic Group’s Mediabrands, sat on the panel “The Rise of the Audience Marketplace.” He followed up Sorrell’s eye-opening remarks with a few more taps on the nose. Thwap, thwap. He articulated much the same message as Sir Martin, but then added this: “In a world with such massive overcapacity, the only way for companies to differentiate and capture a disproportionate share of dollars is through building a brand.” It was the follow-up — the second half of a one-two punch — that just about knocked me flat.

What really caught me off-guard with this revelation was something I’ve understood intuitively, but hadn’t crystallized for me yet. These new models are not just about direct response buying of cheap remnant inventory based on CPA calculations. The opportunity is much bigger than this. It’s about everything: every methodology, every type of inventory — every type of objective. We’ll be able to measure brand effectiveness, target ads to audiences, and pay for reach as well as for performance. We’re witnessing a radical shift in an industry worth hundreds of billions of dollars — and most people haven’t even realized it yet.

On the panel, George spoke mostly about Cadreon, the new-model agency that IPG has rolled out on top of the various ad exchanges — which competes with Publicis Groupe’s VivaKi, among others. He talked about how efficiency and effectiveness has been improved between four and 10 times on campaigns run across the exchanges in this new model, and that the demand among the IPG agencies worldwide was immense. “If I don’t roll this out in the next six months in China, I’m going to be in trouble,” George said. He also described the complexities of this, given the lack of standards in formats and provisioning across each market.

In a brief conversation with my friend Dave Smith, CEO of San Francisco-based Mediasmith, he talked about his agency’s experiences in investing in these new models for buying, and expressed a deep excitement about how quickly and completely this was already changing things. Smith is the original innovator in our space — he’s been applying technology to the problem of media buying in more innovative, sophisticated, and effective ways for longer than anyone else out there. Thwap.

Also while at ad:tech, I sat with Joe Zawadzki, CEO of New York-based MediaMath, one of the new so-called “demand-side platforms” or “demand-side buying systems.” He talked about his company’s technology investments and the way that MediaMath is extending its system to support buying in every marketplace it can get access to. He talked about efficiency and effectiveness. We talked about the ability of these systems to bid in real time on every impression, about how the technology was going to change the face of the ad ecosystem. Thwap, thwap, thwap. Zawadzki has been at this for a long time now, as he was one of the founders of [x+1], now one of his competitors in this space.

Prior to attending ad:tech, I spoke with Brian O’Kelley, CEO of AppNexus, another player in this space. Like Zawadzki, O’Kelley is one of the early players in this space; he was a cofounder and CTO of Right Media. We talked about the advances in bidding mechanisms, the massive scale that this new segment of the industry is going to need to support, and how AppNexus was building applications to support this, as well as plumbing and infrastructure that he hopes the rest of the companies in the space come to rely upon. Thwap.

Up on the stage of the ad:tech panel, alongside Quentin George, Bill Demas, CEO of Turn, spoke about the differences in the way the market is currently working from more “traditional” online display ad buys. He talked about how the inventory that the players in this space have access to currently is “non-premium” inventory — that for now, at least, the premium inventory is still being represented by human sales forces. He also noted that media buyers and agencies are still negotiating on guaranteed buys, and he talked about how this new medium is primarily about discounts on the inventory.

But the panel was quick to point out that this idea of “premium inventory” was a relative concept. While brands certainly care about running ads alongside content that is of a premium nature, the quality of an audience is not qualified by this alone. While Demas talked about the discounts that advertisers are getting on inventory purchased this way today (since there is a disparity between those bidding on the high quality inventory that is “lying fallow” on sites today), I believe there is another dynamic that will play out.

Much like the early participants in the various paid search marketplaces were able to find incredible bargains on keyword buys due to a lack of competition, these early participants in these online display marketplaces are finding steep discounts on highly targeted audiences. But this is bound to change. George raised this issue specifically, pointing out that advertisers are more than willing to pay a fair price to get their messages in front of valuable audiences and reward publishers for attracting them. But the difference is that only the impressions created by valuable audiences would be rewarded in a world where every impression could be analyzed and bid upon in real time.

This does beg the question of what value premium versus non-premium publishers would provide to the market. One interpretation of all this is that The New York Times is only as valuable as the individual audiences it represents — and that the same users reading a blog would be monetized the same way.

I have my own theory on this. I believe that valuable audiences are going to drive high eCPMs, regardless of the publisher. Combining high-value audiences with high-quality content will drive that price up even higher. And impressions that contain fewer targeting parameters will drop in value. But I believe that untargeted impressions on non-premium publishers will become almost completely worthless in this world.

This bodes very well for premium publishers, which will get ultra-high eCPMs on their most highly targeted impressions of quantifiably valuable audiences. They will get lower, but still respectable eCPMs on their less qualified impressions that are still associated with high-quality browsing experiences. It’s the lower quality content — the UGC and impression 15-1,000 in an online photo gallery on a social networking site — that is going to take a hit on a blended eCPM basis. The hope is that some small portion of their impressions will cover a valuable enough audience that they’ll still monetize effectively.

Now don’t get me wrong. It’s going to take years for the industry to shift to this new model. Agencies will continue to hire armies of liberal arts majors for the foreseeable future and arm them with massive budgets and negotiating power. And publishers will still hire armies of salespeople to answer the RFPs and buy drinks, dinners, and golf games for the buyers. But I’ll officially call the fight at this point. Thud!

While we were going about our day-to-day, this new model has been playing rope-a-dope with us and is winding up for a haymaker. Ignore this message at your peril. Ding, ding, ding!

Facebook’s frighteningly impressive ad potential

(Originally published in iMediaConnection, September 11, 2009) by Eric Picard

I’m pretty active on Facebook. I check my account at least once per day, and I frequently will fill downtime by reading through my friends’ status updates on my phone. I find Facebook to be a brilliant and incredibly useful tool. It has reconnected me with old friends, given me a closer relationship with relatives who live far away, and helped create a closer, more personal relationship with many of my professional colleagues. And the amount of data that Facebook stewards for me is both impressive and scary.

In 10 years, Facebook will know what an entire generation’s boyfriends, girlfriends, spouses, and children look like. It will not only have a map of the social graph and deeply understand the relationships between people across the world, but it will also know what things they like, what companies they’ve worked for, and, in many cases, minutiae of value to advertisers — such as what products they’ve owned.

And despite the relative quiet around what Facebook is doing in advertising, the network has created one of the most powerful and elegant advertising tools I’ve seen so far. For the past six months, I’ve been telling people in almost every advertising discussion I’ve had that they should go and create an ad on Facebook. The process is a revelation.

The buying process inherently involves targeting. Keyword targeting is only one method used — and not required. Ads can be targeted not only to geography and demographics, but also according to workplaces, relationship status, and even ads shown on people’s birthdays. The tool implicitly gives you an estimate of the audience size you could potentially reach. And as an advertiser, I can’t imagine a buying scenario where I’d trust the estimate more. In a city like Seattle, which has numerous technology companies, an advertiser could even build offers specifically to employees of specific technology companies.

Recently I saw an ad from a guy who was trying to find a job in marketing at Microsoft (I work at Microsoft). His ad had a picture of him, a brief background, and a goal for what kind of job he was looking for. And it linked to his profile. Now, I must admit that I had mixed feelings about this ad, but I was also impressed at his chutzpah and also by the simple fact that it was possible to do this.

Scott Tomlin is a colleague of mine who owns a comic book store here in Seattle called Comics Dungeon, and we’ve chatted repeatedly about the difficulty he has as a local small business owner with advertising online. This is despite the fact that he has worked as a software engineer on advertising platforms for the past six years, and knows quite a lot about advertising.

Unfortunately the lessons of national advertising don’t apply very well to his local small business. He’s tried all the “usual suspects” in traditional media, but has really pushed hard on the idea of advertising online, especially given his main career. And he has had a hard slog of it — with the exception of his efforts on Facebook.

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Scott’s main push with online advertising has been selling subscriptions to comic books, and while he’s a local business, customers of his subscription service are spread across the U.S. The main reason he focused here is that he can justify the relatively high acquisition costs for a subscription customer, rather than just driving in foot traffic. And his acquisition costs with online advertising have been high — especially via paid search.

As I mentioned, the one shining ray of hope he’s had is Facebook. With Facebook, he can target so incredibly well that he can get his ad in front of folks he could never reach using other methods. He walked me through some of the campaigns he’s running on Facebook right now, and the results were pretty impressive. With Facebook he’s been able to branch out beyond his subscription sales and effectively target local customers to bring traffic into his store. And with Facebook’s features for hosting events, he’s found a very powerful tool to bring potentially high value customers from around the region into his store.

Unlike a national advertiser, as a small business, it’s in Scott’s best interest to spend some time honing his campaign to address incredibly small micro-targeted audiences — audiences that would be too much work and too tiny for a big advertiser to bother with. He showed me one campaign he’s been running to promote an event at his store. With the five targeting parameters he’d assigned to the campaign, his estimated audience was only 620 people. But he had more than 40 clicks on this campaign and, at last check, had 24 people who had signed up to participate — using Facebook’s event promotion tools. It is this integration of incredibly rich targeting with tools specifically available for individuals, organizations, and companies that make Facebook so incredibly valuable from a small local businesses standpoint.

I first recognized this power when I happened to notice an ad for a local Vietnamese restaurant called Monsoon East on my Facebook homepage. I still don’t know if Facebook was somehow able to glean that I love Vietnamese food, or if the ad just targeted me as a local. But what really grabbed my attention was not the ad itself, but what happened when I clicked on it. The ad didn’t link me through to the restaurant’s website. It brought me to a group page for the restaurant. My first thought was, “Oh — smart — it’s providing a landing page for local advertisers so they don’t need a website.” But then I saw that Monsoon East did, in fact, have a website — and after a bit of clicking, I realized that the restaurant actually has one hell of a website. It’s elegant, beautifully designed, and a fantastic site for a local restaurant. At first I was baffled as to why Monsoon East didn’t link to its website, but I quickly realized that its group fan page is brilliant.

This was a fan page with concise, relevant information that told me about why I might like the place, and then the magical “bit at the end” — the members’ list and discussion board. Monsoon East currently has 109 members on its group page, mostly filled with young, good looking, active-lifestyle (judging by their profile pictures) people. Despite my cynical ad-pundit view of advertising, I thought, “This looks like the kind of place I might like.” Just that they had 109 members on their fan page made this restaurant much more legitimate to me (as a consumer). And that’s powerful.

So kudos to a savvy set of local entrepreneurs who are unleashing the power of social networking to promote their businesses. I think we all have something to learn from them.

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5 reasons Twitter simply doesn’t matter

(Originally published in iMediaConnection, August 2009) by Eric Picard

Over the course of the last few weeks I’ve had about a dozen conversations with people about Twitter. People’s feelings range from gushing love of the 140 character medium, to disdain for the narcissistic tweeters among the digerati who simply won’t shut up.

I don’t have any particular beef myself with Twitter, and I’m as jacked in, connected, and narcissistic as the next guy. But much of the conversation about Twitter is incestuous and “insider-ish.” There’s a bit of haughty staring down the nose at the unwashed masses who aren’t tweeting — as if those who don’t tweet are simply showing that they have nothing to say.

And of course this week, discussing the denial-of-service attacks against Twitter has been all the rage. Which is to say that when you don’t have a vehicle to talk about nothing — or should I say, to tweet and re-tweet the nothing that is being tweeted — folks are tweeting about not being able to tweet.

A lot has been said about the power of micro-communi-blogging, or whatever category of the week that Twitter sits within. And as a communications tool, while I personally find it unwieldy and a bit untargeted, I’m nothing but respectful of those who get value out of Twitter. Shelly Palmer, for instance, is full of ways he’s gathering value out of Twitter. He said recently that by simply tweeting that he was thinking about dinner, he immediately had a readymade dinner party without having to make a single phone call or send a single email. Or should I have said, rt: @shelly_palmer?

More power to folks who find this to be a powerful medium for communications. But have you noticed that, for the most part, the people who are “power-tweeters” are either professional writers, or are using Twitter for personal PR?

Here are the reasons the buzz surrounding Twitter is a lot of hype.

1. Twitter is a recursive conversation among individuals who are promoting their own careers.

Not participating doesn’t hurt you. In some ways, it will help you if the folks you’re trying to impress are not part of the twit-clique. There’s nothing like mutually being on the outside to solidify a relationship with an interviewer or potential client than showing your anti-Twitter camaraderie. Because goodness knows that anyone who has chosen not to tweet at this point is resentful and annoyed by all the Twitter hype. And if you’re not an idiot, you’ll have already made certain that the person you’re meeting with is not an avid tweeter — because, well, that’s quite an easy thing to verify. And for the small part of the population that is hooked on the newest form of crackberry, stroking their ego is as easy as “following” them.

2. Signing up to follow someone on Twitter is easy and painless (especially if you never check your account).

Twitter is mostly about making the folks who are tweeting feel important and loved. Not to say that I don’t love them all already. But if all I need to do is simply sign up to follow them on Twitter, what a marvelously easy thing it is to make them feel better about themselves. And of course, when someone looks me up and sees that I’m following the “who’s who” of the online advertising digerati, I look both connected and very important. Oh, and I am, baby, I am — it’s how I roll.

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3. Nobody can really follow what the hell’s going on anyway — who can read all that crap?

It’s really easy to say that you follow along on Twitter. But it’s way worse of a time-suck than email. I get about 300-500 email messages a day. Most need to be scanned or read, and about 100 of them need to be responded to or handled one way or another. I also try to read the top-of-mind industry news every day — that’s about 10-20 “must read” articles.

Last week I wrote more than 150 emails. And when I went through them (I am just that kind of geek), most of them are a few paragraphs at least. About a dozen of them are several printed pages. Plus I wrote several long documents last week. Oh — and I actually did work. Who has time to tweet?

And of course there’s the blogs of my favorite people, and my Facebook account — where I’ve shut off most of the feeds from Twitter (sorry FB friends) because I just don’t care about reading updates from whatever talk, conference, or luncheon most of my industry friends are attending. I prefer to find out what my friends are up to on Facebook — not read unedited input from my reporter friends while they’re sitting in a session at “advertising show of the week.” I’d rather read their edited article the next day, or their blog posting that night.

And there’s always my recent and growing love of Kodu on the Xbox 360 to suck away my free time.

4. Most of the professional tweeters are not writing their own stuff anyway.

Come on… you know better, don’t you? You really think all these CEOs, VPs, and entrepreneurs are writing their own tweets? Really? Yeah — and they really write all their own trade articles too. Honest.

Why do you think all the PR folks love Twitter? Just like blogging, it’s been a huge shot in the arm to the PR industry. If you have to be up to date, always responding, and seemingly always “in the know,” the only way to do that — and earn your executive salary — is to pay your PR firm to tweet for you. (Disclaimer: I write all my own articles — and I write all my own tweets.)

Yes, there are some seeming superhumans out there who manage to run their own companies, post on numerous mailing lists, tweet all over the place, write a blog, post on Facebook, spend time with the family, and have a garden (Yes, I’m talking about you, @thespos1Hespos.com,@_marketingLLC). But for the rest of us, it just doesn’t work that way.

5. It’s the future of communications!

In 20 years, we’ll find Twitter right alongside the CB radio and personal blogs. Well — maybe not personal blogs, but…

Despite my tongue-in-cheek commentary above, I actually do use Twitter — and I do find it to be an amazing communications tool. But I will say that the hype is a bit, well, hyper. Twitter is a communications tool like many others. And it’s a new type of tool that has incredible network effects. While it is popular, the value of Twitter is incredible. The more people who use it, the more valuable it is. But whether Twitter is the CB radio of our decade — or the next form of IM and email, but for broadcasting to the masses — is entirely uncertain. It will only remain as valuable as the number of people who really read it (or at least mine it and use analytics to tap into the mass-mind.)

Oh — and you can follow me at @ericpicard. I’m really active on the tweeter.

How we dropped the ball on rich media

(Originally published in iMediaConnection, July 2009) by Eric Picard

Back in 1997, I started one of the early rich media companies. Our goal was simple: Provide rich creative to capture attention (create awareness), interactivity to foster engagement (drive intent), and the ability to complete a transaction directly within the banner in order to drive a direct conversion — or at the very least to shepherd the consumer down the purchase funnel.

I remember clearly some of those early rich media ads. The ideas were strong, and the ads would be just as effective today as they were back in the late ’90s. Our technology enabled simple impactful ads that were very effective. We invented expanding ads to create more room so that audiences could interact and even purchase products right within the ads without leaving the pages that they were on.

For a major online book retailer, we created an ad that started with a simple rich interactive game (awareness and engagement with the brand). It offered the audience several choices for the next step — either browse some titles (foster intent), buy a book that was available for a special price (foster an immediate purchase), or sign up for one of the company’s numerous mailing lists. While we didn’t sell many books, the conversion rates on the mailing list signups were through the roof! And the amount of engagement that happened right in the ad was far beyond anyone’s expectations.

This type of experience was the norm — almost all of our customers had fantastic results — and the funny thing was that the more interactivity they injected into their ads, the more people interacted with them. As Flash began gaining prominence on pages across the web, I was extremely excited. I thought, “This is the beginning of a new age! Designers can build almost anything with Flash.” But 10 years later, what am I seeing? Amazingly executed Flash ads on every web page? No. I’m seeing basic, boring, simple animations that could be (and pretty much were) executed using simple animated GIFs. Flash offers an unbelievably powerful palette for designers, and we get the modern day equivalent of animated GIFs?

Now, rich media as a category is far from dead today. There are many companies out there building rich media ads, from rich media specific efforts from Eyeblaster, PointRoll, EyeWonder, Unicast, and others to rich media built on top of existing ad systems like Atlas, Bluestreak, DoubleClick and others. Rich media is certainly broadly available, able to be bought by any advertiser, and able to be run on almost any publisher’s site.

But that doesn’t mean that rich media is now the standard way to see ads on the web, nor that basic rich media functionality has made its way into the majority of standard ad formats out there. So let me offer a rich media manifesto for the coming decade and see if we can meet my challenge as an industry.

Minimum requirements
Every single ad should have enhanced interactive functionality built right in. Every stupid simple Flash banner out there should have buttons on the bottom of the ad (and I’d be ecstatic if the placement were standardized) with some simple (I’ll even go so far as to say template-ized) functionality that enhances the ad beyond a click-through to a web page. Simple functions that should be standard in all ads include:

  • “Watch a video demo of this product now”
  • Request a brochure by email or snail mail
  • See a map and directions to the store
  • Print a coupon

Numerous other simple types of functionality should be part of every single ad (and preferably not all in the same ad!)

Every ad should have the ability to expand (upon user request, by clicking a button) and show a larger version of the creative.

Beyond basic template functionality
I challenge every creative and art director to push the limits of what technology can do. The movie promotions have gotten pretty good at driving engagement right in rich media ads. But why aren’t pharma, autos, finance, and other categories doing the same? (Please don’t send me all the exceptions to my statements — I know there’s great rich media work being done in every category — but not enough of it! It should be the rule, not the exception!)

Every brand ad should have some capability right within the ad to move the consumer down the purchase funnel by letting them perform some action. Don’t just show a bit of animated sizzle designed to catch the consumer’s eye and create awareness; once you’ve created some awareness, let the consumer take things to the next level.

Let consumers raise their hand (by clicking their mouse on some action button) and start participating in the advertising experience right there within the publisher’s web page. Let them move beyond the list of basic functionality I provided above — push the functionality typically reserved for a website right into the ad.

Let consumers build a Mini Cooper or trick out their Scion right there on The New York Times’ homepage. Put features on one ad, and let the consumer drag them to another ad. And make the experience more than just fun — make it useful, educate them about the product or service, and provide them with opportunity to take things further.

And enough with the games already. Yes, they can be fun and engaging. But I’ve played enough rounds of miniature golf for various brands — none of which I can recall. And I’ve seen enough gimmicky rich media ads where some slick, cool, snazzy effect was figured out and applied to the creative — but had nothing to do with the brand, and didn’t enhance awareness, unaided recall, or any other important metric.

Show me the ads
I’ve just visited dozens of websites writing this story in hopes of finding some example of a cool, engaging, multi-faceted ad. One that does all the things I’m suggesting here. And I could not find one. I’m sure there is one out there somewhere on the internet right now. But I’ll be damned if I can find it. Instead I saw a banal animated ad for condoms (on a major publisher’s site), an ad on another major publisher for Time Warner Cable (which doesn’t offer service anywhere near where I’m sitting), an animated Flash ad for a major mobile carrier that could easily have been recreated as an animated GIF (this was a repeated and frustrating experience), and just a load of cruddy, awful, benign ads that don’t help the advertiser, and don’t capture the attention or add value to the consumer.

Sadly, the last decent ad I can remember seeing was one for Apple where the characters in the ad interacted with characters in another ad on the page. It was a great ad — brilliantly executed. And at the very least, it built awareness. But it was a home page takeover that isn’t scalable to execute (it couldn’t be run on any site any time). And it offered no engagement opportunity. It didn’t let me learn more about the products being discussed, and it didn’t let me find the nearest Apple store or a retailer offering their products.

We can do better! Much better! Come on, people!

Online Advertising’s 4 Biggest Problems

(Originally published in iMediaConnection, June 2009) by Eric Picard

Online advertising is going through a vast series of changes right now, and the measure of its future success is going to be set by the decisions made over the next few years. I honestly believe that if we (the folks driving this industry) make the right decisions, we will change the face of advertising and, through those changes, have a huge and significant impact on the economy.

I may be too passionate on the subject, but I believe that our economy is driven in large part by advertising. I see an ad impression as no less than the opportunity to convince a person of the value or relevance of a product or service. And I believe that the ability of a marketer to extend the value proposition of a company out into the world and have that turn into a new relationship with a customer (or to renew a relationship with an existing customer) is an important and beautiful thing.

Of course, many ads that arrive in those locations of opportunity are poorly designed, badly executed, and hold nothing like integrity close to their mission. But that’s a topic for a more philosophical discussion. Today we’re going to talk about the problems that exist in our space, and I’ll do my part to suggest some ways to fix them.

Problem 1

Lack of brand advertiser value

I’m almost certain to get some flak for this topic area. It seems to be an indictment of direct response (DR) advertising, and an endorsement of brand advertising from a philosophical standpoint. So let me address this issue immediately.

I believe that both DR and brand methodologies have immense value. I also believe that advertisers should use DR methodologies in order to drive the consumer from the middle to the end of the purchase funnel with gusto and relish. However, I also happen to believe that advertising should be sold to the right advertiser for the right purpose based specifically on the goal they are trying to achieve, and based on the effectiveness of the methodology for where the consumer exists within the purchase funnel at the moment of ad exposure.

But in online advertising, we’ve focused an immense amount on the requirements of DR, and much less so on brand advertising. This wasn’t so much a mistake, as either an over (or under) focus issue (depending on your perspective). With so much of the revenue coming from paid search in our industry, and the huge focus we’ve had on remnant inventory and contextual, we have lost out on the upper-left quadrant of the chart below, which really would enable us to monetize the audience that exists at the broad opening of the purchase funnel.

In a perfect world, we’d have the ability to be intentional about how we approach potential and existing customers, with the strong opportunity to move the customer through the purchase funnel and to bring them back for more purchases. In this ideal world, the ability to reach desired target audiences with powerful brand messages to increase awareness and drive consideration and purchase intent is a critical requirement.

But rather than thoughtful and appropriate focus on building high-scale, high-throughput, highly automated brand advertising mechanisms, we end up with seemingly never-ending discussions about cost-per-acquisition (CPA) pricing and performance-based metrics. While this is very important stuff for DR advertisers — and maximizing the way we handle about half the current ad dollars spent online is a smart thing — we’ve neglected the brand advertisers. Focus in this area has trended toward so-called “branded entertainment,” fairly custom ad experiences like page takeovers, and some rich media advertising.

What are some of the things that brand advertisers care about when they look to buy ad space? They care about creating brand awareness, getting consumers to form positive opinions of their brands, and driving the customer’s intentions toward a purchase. They typically buy advertising based on their ability to reach a targeted audience that is more likely to purchase their products or services. And publishers should be excited about selling ads to brand advertisers because they buy ad space — not clicks, not conversions. They buy impressions. They care primarily about reach — they want to get a message in front of a consumer.

I placed this item first in my list, because much of my commentary for the other three items should take this starting point into account — none more so than my next item dealing with ineffective creative formats.

Problem 2

Ineffective creative formats

In March, I wrote an article called, “Why online creative stinks so badly.” In that article, I spoke about standard format sizes that are too small and the lack of interactivity that exists in most ads online.

Let’s dig into this just a bit more today. The problem, as I continue to see it, is that we don’t provide the advertiser with a palette that enables the creation of a truly emotional experience. Part of this ties back to the size of the ad. When the current ad formats were standardized in 2002, the average screen resolution was still 800 x 600 pixels. Average screen resolution today is much larger — although I haven’t gotten definitive sources, a safe bet is something like 1280 pixels wide, with a variety of heights due to the proliferation of widescreen ads.

The hallmark online display ad unit is the 300 x 250. This is the unit that most advertisers have adopted as their preference. It generally elicits the highest cost per thousand ads (CPM) and is preferred by brand advertisers as a format in which they can get a decent message across. But as we’ve seen screen sizes (and therefore screen resolutions) grow over the past five years, this has effectively shrunk the pixel size of the ads proportionately downward.

Standard ratio screen resolutions with 300 x 250 ad:

As you can see above, when the average resolution was 800 x 600, a 300 x 250 pixel ad unit was pretty large (from a percentage of screen coverage point of view). But as average screen resolution has pushed upward, the relative size of the ad unit has diminished significantly. In my March article, I suggested that one way we could improve the value of online creative formats for advertisers is simply to increase the size of the standard display unit — effectively double the dimensions of the 300 x 250 banner to 600 x 500 pixels. If we did this, we’d be looking at something like below:

Problem 2, cont.

Ultimately, this focus we’ve had as an industry on static creative formats is probably one of the ways we should try to fix this problem. By moving away from a fixed pixel dimension and moving to scalable ad formats, we could resolve many of the problems here.

This has been something many people have discussed over the years, but they always seem to get hung up on issues related to image quality and layout controls in a scalable scenario. But this isn’t something I worry about too much, as this can be solved by technology.

Ultimately, we need to evolve to a world where creative assets can be rendered at the proper resolution to display high-quality images, video, and text, while providing pixel-level control to advertisers in order to ensure that brand guidelines and creative output are tolerable to discriminating designers. At this point, designers frequently tell me that this isn’t possible, and developers tell me that building such a solution would be very hard. And while it is a hard objective to achieve, it’s completely attainable. Live Technology is one company that is already well on its way to solving this problem, but others are working on it as well.

Despite all my admonitions above about ensuring that we give brand advertisers the love and focus they need and deserve, we should also keep in mind that the DR folks need some attention here as well. When an ad is created with a super strong brand message that drives immense emotional impact way up the purchase funnel at brand awareness and brand consideration, smart advertisers and their agencies will use interactivity to enable a consumer to continue moving down the funnel right from that singular brand impression.

Imagine a world where a powerful emotional message delivered on behalf of an advertiser enabled the consumer to immediately drill deeper and learn more — right within the same ad unit, without leaving the page they are on.

Giving the consumer control — letting them explore, learn more about the product or service, watch a video, drill deeply into the product specs, or request a follow-up or an RFI — would be incredibly smart. It would extend the presence of a brand out beyond its website and take advantage of existing media spend. Yes — the creative budget would need to be higher, but that’s typically a smaller part of the overall budget to begin with. And combining the brand and DR media budgets and driving for impact is ultimately one of the great unmet challenges about which we’ve been claiming victory online for years already.

Problem 3

Sales and operational inefficiency

I wrote an article in May titled “How we screwed up online advertising.” In this article, I discussed a lot of important issues related to sales and operational inefficiency. Mostly I was talking about the premium online display world, but this problem is not limited just to hand-sold display inventory at the big publishers (although that segment of the market is the easiest to poke holes in).

We’ve promised granular control of media buys with immense amounts of optimization and accountability possible. But we designed the systems early in the life of the industry and locked the granular controls down in such a way that limits us to small media buys for small budgets. As we’ve tried to scale beyond this, it’s become clear that we need to focus on throughput and operational scale rather than granularity of control.

So let’s dig into the types of sales and operational inefficiencies that exist in this market, and we’ll break it down into a few different chunks:

Premium online display: media agencies. Media agencies have huge problems to overcome in the coming few years. Their margins have been compressed and negotiated into shambles. They are compensated mostly for the work they do, which is increasingly more tactical, and less for the value that they provide, which is significant.

This is an industry segment that significantly underinvested in its IT infrastructure at a time when other industries became very automated. And even the outside tools that media agencies bring in-house to help solve their other problems are antiquated and don’t interoperate with each other. Meanwhile the media marketplace has exploded into massive fragmentation — meaning that buyers need to do a lot more work just to execute on their campaigns.

Despite the widely held belief that traditional media is unaccountable and highly inefficient, I’ve heard from numerous large brand advertisers that online display is 8-10 times less efficient than traditional media from an advertiser’s perspective. This is because in traditional media, the up-front planning and buying costs are much lower — and there is no further work done once the campaign is delivered to the publisher until after it ends. In online display, more than two-thirds of the work takes place after the campaign is trafficked. And that’s just on the buy side.

Premium online display: publishers. While the agencies have been struggling with media fragmentation, the sales forces at the publishers have been running into problems because of it as well. Online premium media buyers are expected to engage with about twice as many publishers as their traditional media counterparts — but are expected to do so without the maturity of planning tools and resources that exist in that world. This leads to requests for proposals (RFPs) delivered to publishers that expect the salesperson to do most of the work done by a media buyer in traditional media.

Additionally, since we have such a strong split between brand and DR buys in premium display — the salespeople have a hard time nailing down their pitch — it’s hard to satisfy two customer sets that have radically different success metrics.

And finally, there is an operations nightmare that exists in premium display that is unlike anything seen in traditional media. I discussed above that two-thirds of the work on the buy side takes place once a campaign is trafficked to the publisher. Corresponding to this is an immense amount of ad operations work that is typically done to ensure that campaigns deliver properly on the sell side. This involves manually working around all the foibles of any of the existing publisher-facing ad servers, essentially understanding the quirks so that manual overrides can outsmart the controls in the system and ensure customer satisfaction.

Problem 3, cont.

Paid search and contextual: buyers. Much like we discussed above, paid search has focused on granular control to the exclusion of throughput. Since we’ve chosen an incredibly granular unit — the keyword — as the currency of paid search systems, we are forced to deal with the consequences of this granularity. Here’s a scenario that will drive this home:

Imagine yourself to be a mail-order flower retailer that tried to drive most of your sales through paid search and contextual ads. You could go out and buy every keyword related to flowers that you could imagine — every type of flower, every color of flower, every region you service combined with keywords for flowers, etc. Eventually you could easily end up with hundreds of thousands of keywords to manage.

This is essentially untenable to do manually, meaning that you’d need to go through an SEM agency to manage in a more automated fashion. And even with an automated system designed to optimize bidding on your selected keywords against a CPA, its highly likely that you’ll have missed many opportunities to reach a potential customer via paid search because you either missed the keyword they chose or because you missed showing them an ad due to competition — and couldn’t reach them on their next query.

Imagine a search advertising experience where you could express your goals (sell flowers to people who are likely to purchase them), where all the relevant keywords, as well as activities that flower buyers historically performed, were mapped against ad opportunities. And the right ads were generated automatically based on what products you had to offer, in such a way that was targeted to what that specific person was most likely to be interested in.

Paid search and contextual: sellers. Google has approached ads in search engine results pages (SERPs) in its own way, but that doesn’t mean it’s the only way — or even the best way. And despite the fact that Google was able to apply the demand it had pent up in its paid search marketplace against aggregated web page inventory — and use contextual targeting to do so — that doesn’t mean that those pages are necessarily monetized best by text ads.

There is no question about the value of reaching consumers with ads right at the moment that they raise their hands to identify themselves as potential customers. But there’s no reason that the ad you show them needs to be a block of text. And there’s no reason that the creative (as we discussed above) can’t be interactive and support multiple objectives right within the SERP.

While contextual targeting is quite a powerful way to ensure that an ad is reaching a relevant audience, so are most other methods of targeting — from geographically identifying someone as a local prospect, to recognizing an existing customer and showing them an ad that entices them to upgrade a product or service, to recognizing a prospect’s location within the purchase funnel and showing them an ad that moves them toward a purchase.

The idea that automated sales needs to be a real-time auction, or relegated to small (tail) advertisers and publishers — or that brand advertisers shouldn’t be focused on anything but paid clicks — is incredibly flawed. Advertisers that spend hundreds of millions or even billions of dollars annually on advertising are not going to flow large chunks of that budget into granularly managed keyword buys, or even into granularly managed, manually optimized impression buys on hundreds or thousands of publishers.

This all leads to…

Problem 4

Weak economics

According to eMarketer, U.S. average CPMs by media type in 2008 were as follows:

 

 Paid search  $75.33
 Broadcast TV  $10.25
 Syndication TV  $8.77
 Magazines  $6.98
 Cable TV  $5.99
 Newspapers  $5.50
 Radio  $4.50
 Online display  $2.46
 Outdoor  $2.26

 

Source: eMarketer, “How Much Ads Cost,” April 23, 2009

It’s generally understood that while people are spending about 30 percent of their media consumption time online, only about 10 percent of media budgets are dedicated to online. We know that paid search has great CPMs on average — but relatively low volume. But why are we seeing such low CPMs on the online display inventory? Is it simply a case of low CPMs being driven by too much supply?

The chart below is cobbled together from several disparate data sources, but uses them to show one simple concept: that from an impression volume perspective, most media types are in the same “order of magnitude.” Paid search has significantly lower volumes.

So given the CPMs we see above, and the fact that online display has a pretty high number of available impressions, we can imagine that there is a problem of supply and demand at work. But it’s not so much higher that we can only ascribe basic economics. This tells me that the other issues I’ve been describing are part of the problem.

If we can provide brand advertisers with creative formats that enable them to evoke an emotional response, if we can automate the sales and operations processes such that it’s easy to spend money online, and if we can provide significant value to brand advertisers as well as DR advertisers, we should see the CPM go up significantly in online display.

And this brings us to the conclusion — the whole point of this article. Advertisers are spending money to advertise in order to sell enough products or services at a profit to survive and thrive. If their products or services are high quality and valuable, they’ll succeed — but only if enough potential customers know that their products or services exist, and if they can become educated enough to understand what the value is. Publishers are creating their own set of products in the form of some type of content that they hope consumers will ingest. They also are advertisers, selling the value of their content to the consumer. And in order for them to make enough money to create more valuable content to attract consumers, they need to be able to profit off of the advertising that they sell.

Right now the world is living on somewhat inverted principles. Much of the advertising being sold is not profitable enough to cover the production costs of the content that “hosts” it at any significant profit margin. This means that the vehicles that carry the ads — the content — are at risk of disappearing. And this means that the means for a company to put its message of value in front of a potential customer is eroding. This is a death spiral — one that can’t continue. So let’s fix it, eh?

Why paid search will never kill display advertising

(Originally published in iMediaConnection, April 2009) by Eric Picard

Advertisers deeply understand the way that existing and potential customers evaluate a purchase of a product or service. This process is typically described as the “purchase funnel,” and is a relatively standard way for advertisers to think about approaching their advertising spending against prospective customers. Typically advertisers try to  find ways to reach prospects with a message that caters specifically to where that person sits within the purchase funnel.

There are numerous purchase funnel definitions out there. To keep things simple, let’s deal with a very basic version:

Awareness > Consideration > Preference > Purchase

Here are a few basic issues to consider when thinking about the purchase funnel verses the advertising inventory that exists in the world. At the opening of the funnel, starting with awareness, there is a vast amount of advertising inventory available, and at a relatively low cost per thousand (CPM) ad impressions. At the end of the funnel, ending with purchase, there is a small amount of ad inventory, and the cost of that inventory is quite high on a CPM basis.

Advertisers also apply two macro methodologies to their advertising spending habits across the entire purchase funnel. They either use direct response approaches to buying ads, or brand approaches to buying ads. To keep it simple, let’s just say that DR advertisers measure to a cost-per-acquisition (a purchase) during the life of the campaign. And let’s call the brand bucket as measuring key performance indicators (KPIs) that are tied to the location and movement of the potential customer through the purchase funnel. This includes elements like brand awareness, brand consideration, brand preference, and some more direct response-like measures like purchase intent.

Large advertisers that spend hundreds of millions, if not billions of dollars annually are also very good at measuring their ROI. You might imagine that if a small percentage of a large budget is spent on measuring advertising effectiveness, they can get pretty comfortable with their return. I’ve heard some consumer products goods companies boast of being able to predict ROI to within a few decimal points of percentage.

While all advertisers will admit that their advertising spend is somewhat inefficient (meaning they don’t exactly know which spend drove which lift), they don’t often talk publicly about their ability to predict results — as this is highly valuable competitive data. And yet the myth seems to persist that advertisers simply throw spaghetti against the wall and expect half of it to stick — and therefore are somehow “wasteful” or “unscientific” in their approach to advertising.

The real discussion to have is around how they allocate that spend. Less than 10 percent of all ad dollars spent are allocated to advertising online, and the split between paid search and display ads is pretty even at the aggregate level. Within the display advertising bucket, only a small amount of the total spend is allocated to direct response buying, most dollars are spent on branding.

The above diagram represents inventory as mapped against the purchase funnel (all impressions that exist across all online media could be fit within this triangle) showing the breakdown of buying methodologies (brand and DR) and the relative price paid for the inventory by the advertiser. Note that in the online space, the pointy-end of the funnel is basically paid search advertising. And everything to the left of the vertical dotted line is display advertising, with half of the inventory going to brand advertisers, and half going to DR advertisers.

But note that a proportionally small amount of revenue actually goes against DR spending on display ads. This pool of inventory — DR display spend — is made up of inventory sold through contextual networks, display ad networks, and ad exchanges today. The red ball (below) shows revenue from premium brand advertisers — primarily hand-sold by a human sales force. Over time I predict that we’ll see the amount of inventory allocated against DR buyers change as we remove friction from the purchase process by automating the purchase process.

Next page >>

While as a category, paid search will always be high revenue generation per impression (for the search engines), the overall number of impressions that exist are segmented into very small pools of inventory. Each small pool (denoted by a single keyword) tends to be relevant only to a small number of advertisers — meaning that per advertiser there just isn’t any way to buy very many impressions (even if you’re paying on a cost-per-click).

Keep in mind that while the paid search space boasts more than a half-million advertisers, the display space (across online display and even offline media such as television and print) really is made up of only about 3,000 to 5,000 brands that perform large-scale buys. There is an important take-away from that point. There is not enough inventory in paid search for it to be a large percentage of any one advertiser’s budget overall (spreading the entire 4 percent of all spending — see below — across hundreds of thousands of advertisers versus online display spreading spend across 3,000 to 5,000 advertisers).

US Ad Spending across media — 2008

Source: eMarketer (Barclays Capital March 12, 2009) and Eric Picard analysis
*Excludes the Direct Mail and ‘Miscellaneous’ categories

Paid search simply doesn’t have enough viable inventory in any given category to enable any significant advertiser (large spender) to move large portions of their budget to paid search. Take an advertiser who spends $1 billion in the U.S. each year. One could assume that they follow the breakdown that I’m showing as the average in the chart above. However, it is highly unlikely that they are allocating even the 4 percent listed for paid search on this chart out of their total budget. There is simply not enough inventory for them to spend the money on.

People who do not understand advertising in general but do understand the paid search space frequently talk about how all ad dollars will move to paid search over time, “since it is so effective.” When you measure your results against CPA during the life of the campaign, very few people will argue against the value of paid search. But when you look at the entire ad spend of a big-budget advertiser, and you look at the myriad KPIs that they use to measure the success of that advertising spend across brand and direct response, it is highly unlikely that paid search will be incredibly important to any one of those advertisers (beyond some retailers ith massive numbers of products they could buy against in an automated fashion, like eBay and Amazon).

Ultimately, paid search matters far more to the search engines than it does to any one advertiser. After all, before you buy a product you have to be aware that it exists, you have to consider whether you need it, you have to weigh your purchase of that product against all the various manufacturers, and then you have to decide where to go and buy it. Paid search certainly can help sell a product if you catch someone further down the purchase funnel, but it takes other methods to get them to that point.

Why online creative stinks so badly

(Originally published in iMediaconnection, March 2009) by Eric Picard

Recently Randy Rothenberg, CEO of the IAB, released a manifesto for the improvement of creative online. He and I have discussed this a few times, and I’m right there with him: God, we suck so badly. It’s an issue that has existed since the beginning of our industry, and despite all good work that’s been done by individual creative teams for individual advertisers, we still are a sucky environment for showing ads.

The size issue
I have lots of opinions on what has driven this, but the primary one is that our ad formats are simply too small, so we’ll start there. The historical background is simple on this: When the web was invented, people were accessing it over very low-speed modems. Every image was a big deal, and page load speeds were incredibly slow. So the physical size of banner ads was limited on multiple fronts.

As bandwidth increased and average resolutions increased, larger formats were approved. But it’s been six years since the industry adopted larger ad formats via the Universal Ad Package in 1992. Since then, we’ve increased bandwidth significantly — with much higher broadband adoption — and screen resolutions have once again increased significantly. Additionally, we now have a large number of widescreen monitors on the market, with the standards moving to the aspect ratio of HD content rather than SD television content.

It’s a negligibly easy thing to detect screen resolution and connection speed. Those of us who were pioneers in the rich media advertising space were doing this kind of thing way back in the late ’90s. There’s absolutely no reason that as an industry we can’t offer much larger ad formats to the market.

The formats I would suggest we look at are a 600 x 500 (twice the size of a 300 x 250) and a renewed push for standardizing the 300 x 600 ad format, which was previously named the “half page ad” (but which is hardly a half-page ad when used as a skyscraper on a modern widescreen monitor.

I’d also suggest that we as an industry lock down to a new “brand session” model, where we offer an advertiser the ability to reach each visitor to a website with a one-to-three impression brand exposure session. (This would be adding the concept of frequency to the online impression model.) All ad serving systems offer some degree of frequency capping, meaning that we could simply limit the number of these large-format ads that are shown to a visitor during a single website session. The session would start with one large format ad, then be followed by two of the current UAP ad formats that are standard in the industry today.

Interactivity issues
The other major reason our advertising creatives are so bad has to do with a lack of interactivity. The ad industry has simply not embraced the concept of interactivity — despite having the ability to build interactive ads since the late 1990s.

The thing that makes me sad (yes, it actually does make me sad) is that at Bluestreak, back in the day, we were building ads that would still be seen as “groundbreaking” today from a creative standpoint. But from a functionality standpoint, we launched expanding banners in 1999 that could transact within the banner. We rolled out rich media interactivity and a design tool to build rich media ads. Designers could build interactive ad experiences with all sorts of “bolt on” capabilities, like video, audio, games, etc. Every capability we created in Java back in those days can be fully replicated today with Flash, and there are literally thousands (maybe even tens of thousands) of designers who are quite expert with Flash.

So we have every opportunity to build better ads, but nobody is doing it. I’d love to understand why. Essentially, Flash is used by the vast majority of advertisers to build “fancy animation” that is only a little more advanced than the animated GIF ads that began to surface in the early days of online advertising.

And size is not the issue. With expanding ad units available from every major rich media vendor today, giving audiences the ability to interact with ads in a space large enough to create an emotional connection is quite simple. Although rich media vendors are doing a great job when advertisers are willing to sign up for an “advanced campaign,” the overall percentage of ads that fall into this category is quite low. Frequently, the goal of the advertiser falls more toward direct response than delivering an emotional brand message.

Even if we look at a direct response model, advertisers are not taking full advantage of the medium. Back in the day at Bluestreak, we routinely found that conversion rates were extremely high for actions like newsletter subscriptions, contest sign-ups, requests for product information, or even, in some cases, sales of inexpensive products. I’ve confirmed with a few folks in the last year or two that they see similar conversion rates for ads that push the conversion action into the ad rather than requiring a redirect to a website. So if we saw this back in the late ’90s, why are so few advertisers making use of this kind of functionality?

Conclusion 
I do firmly believe that increasing the size of the creative formats is the primary issue to resolve. But adoption of rich media and interactivity is another area where we should see major adoption. Every ad on the internet should give users the option to expand the ad, request more information, watch a video demo of the product, or even to purchase the product right from the ad. I had this vision for our industry in 1997 when we first started building the technology behind Bluestreak’s now defunct E*Banner product. And the idea that more than 10 years later the industry still isn’t there is not just disappointing. It’s sad.

You! Appearing Soon in an Ad Near You

(Published originally in ClickZ, September 2008) by Eric Picard

It occurs to me that in 10 years, Facebook will know what every ex-girlfriend and ex-boyfriend of an entire generation looks like. They already know what millions of people’s children look like and obviously have numerous images of almost every person that uses its service.

I was talking with a friend the other day about the fact that people haven’t considered the ramifications of Moore’s law (define) on real-time image processing. With more powerful computers and the increases in processing power growing more significant in 10 years, many things we think of today as technically impossible or, at the very least, technically difficult will no longer be. Certainly this will impact technologies like targeting and analytics; it will also impact computer graphics. Looking across both of these worlds and their intersection, it’s easy to start predicting how this could come together.

It won’t be long before the kind of photo and video compositing done painstakingly by hand with lots of CPU horsepower today will be handled in real time on a consumer PC or even on servers in the cloud. This means advertising could be assembled in real time, too. Some companies have been doing this for a while. Visible World, for instance, has enabled creative shops to build template-driven ads that enable elements of the video to be swapped out based on targeting parameters. Near Mother’s Day, residents of an affluent neighborhood might see the expensive flower arrangement while residents of a working-class neighborhood see the inexpensive flower one.

But the kinds of things we’ll see in the next 10 years will make this seem amateurish and quaint. Imagine the following commercials:

  • A man stepping out of the new Lexus sedan catches your eye, as he seems somewhat familiar. As he crosses over to the trunk, winking at the attractive (and also somewhat-familiar looking) woman passing through the parking lot, you notice something. He looks an awful lot like you! He opens the trunk and hefts a set of golf clubs. The scene cuts to him beautifully teeing off into the sunrise. You really pay attention — because it’s almost as if someone had peered into your dreams and put them on the television. And you appear in the commercial as an idealized, slightly more chiseled, rugged, and handsome version of yourself.
  • A woman who looks oddly like your wife is getting three kids roughly the age, size, and look of your own kids into a minivan that matches the criteria of cars you’ve been shopping for just this week. The eight-year-old boy is carrying a soccer ball — just as your son would be. The toddler even carries a stuffed animal that resembles the one your daughter carries with her everywhere! You see the kids calmly watching a movie on the installed screens, and they seem quite comfortable. The mom seems calm, relieved to have such a nice ride that all the kids enjoy getting into — without squabbling.
  • An oddly appealing woman is fly-fishing. She seems so familiar, like you know her from somewhere. The ad focuses in on the graphite rod she’s using, just like the one you were shopping for online last week but didn’t buy. You keep watching because the woman in the ad has such a nostalgic appeal to you. It’s almost as if she were a combination of three women you dated in college. And in truth, she is.

All these commercial seem like science fiction but aren’t far-fetched at all. We think about profile-based targeting as dealing with our habits and anonymously delivering products we’re interested in. But there’s no reason that down the road technology won’t enable the situations I just described. And while the privacy implications are vast — and the ads may seem a bit creepy — over time they may become acceptable. As we’ve seen in numerous studies, the current younger generation has very different feelings about privacy than older generations. And opting in to scenarios like I described may be quite commonplace in 10 years.

Why Local Ads Aren’t Coming Online

(Originally published in ClickZ, January 2008) by Eric Picard

Earlier this month, JPMorgan analyst Imran Khan released a fascinating report called “Nothing But Net.” It’s a very insightful piece of analysis overall, but in one area Khan makes a similar mistake to one I keep hearing from numerous analysts. They seem to believe that all traditional media budgets will get eaten by digital media in the next few years. This doesn’t seem like a bad assumption. It sounds logical, after all.

But it’s completely wrong.

The report talks about dollars moving from local newspapers to online display advertising. It concludes that the trend will continue forward with ad dollars from local advertisers moving online because of diminishing distribution.

Another report I read from another analyst this year suggests that radio dollars will move to search.

Both of these conclusions are wrong. They miss motivational factors. Advertisers buy ads in a specific media because they believe it will give them something specific in return. And media tend not to be completely interchangeable. The idea that an advertiser who’s been spending money on radio will shift the budget to search is ludicrous; the goals and effects of running ads (let alone the methodologies) are completely different. And the idea that a local business will shift spending from a local newspaper to online display is similarly flawed.

I’m fairly certain the numbers used by J.P. Morgan’s analysts include classified ad revenue. Classifieds have been decimated in local ad spend, but display ads in local newspapers are probably just as strong as they have ever been, despite shrinking circulation. This is mainly because there are no alternatives for local businesses, including local affiliates of national brands (e.g., local auto dealers, quick-service restaurant franchises, national retailer locations, etc.), to reach their local audiences. Much of this has to do with creative production and the lack of online inventory that can be targeted locally.

National advertisers that buy in newspapers may well reallocate newspaper dollars to other media. But I’m betting the local spenders won’t. They really don’t have too many alternatives. They don’t have any way to build banner ads, and they’re unlikely to be able to get enough inventory in search to meet their needs. I see no evidence that local advertisers are moving dollars online — only the decline mentioned in the report, which I believe represents only classifieds and some national ad spend moving elsewhere.

There isn’t enough local inventory online to support shifting dollars. There’s really no mechanism for a small local advertiser to buy from the majors.

Imagine this scenario: You’re a local auto dealer with $5,000 to spend annually, and you call Yahoo, MSN, and AOL. You request geotargeted inventory that will match the newspaper circulation numbers of some local designated marketing area (DMA). You won’t get a phone call or e-mail returned. There isn’t a sales force today set up to go after the local market at any of the majors online, so the salespeople you’re trying to engage with are the same ones handling national budgets that are significantly larger. If you were a salesperson on commission, whose call would you return: Ford’s national ad agency media buyer or the dealership ad manager at Sweeney’s Ford in Greenfield, MA?

Local newspaper ad spend on display ads is very unlikely to move online for the next few years. The reason is similar to why television didn’t drop for some time despite shrinking audiences. There just isn’t an alternative to reach the target audience that a small local business, even a local affiliate of a national brand, can take advantage of.

And newspapers are the only channel local advertisers can quickly and inexpensively switch out creative on a weekly or biweekly basis. This is very important to a local business with product inventory that it needs to move but differs week to week. Most newspapers will handle creative production and keep insertion orders open for the entire year for their local customers, which further facilitates this.

Local search has mainly solidified around mapping, which is great at taking advantage of people searching for a product in a local area but not for driving awareness of a sale or trying to create demand. And without a sales force and creative production resources to serve the local markets, it’s highly unlikely that much of the local inventory available within the online space will ever get sold to local businesses. The infrastructure is really set up for supporting national advertisers with localized creative.